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Welllll, okay, since it's you. But you gotta get me something nice later too.
Oh Yata, you have saved the life of a poor orphan girl.
Only for now, orphan's are so high maintenance.
One day I'll get to be high maintenance again.
I'll spoil you! One second.
[she brings out a cold lambchop that has been half eaten.]
Here you go! The lamb I promised. Spoil spoil spoil.
[she brings out a cold lambchop that has been half eaten.]
Here you go! The lamb I promised. Spoil spoil spoil.
[The sun hasn't yet risen, and the half-light of morning reveals a small figure not far from the weeds clubhouse]
[she gets a cube call, assuming she picks up...]
Turn around, and walk forward until you enter an alley.
Turn around, and walk forward until you enter an alley.
Haha, alright.
[This feels a little over the top, but she'll humor her and do as instructed.]
[That said, once she starts entering an enclosed space, she is on High Alert for danger.]
[This feels a little over the top, but she'll humor her and do as instructed.]
[That said, once she starts entering an enclosed space, she is on High Alert for danger.]
Turn to your right. Step forward to the next alley, turn left, go down in. There is an alcove. Stand in front of it.
[Following instructions, but becoming ever more cautious of any signs of ambush.]
[Monika jumps to a shadow behind Azdaja. While her back is turned, she taps her black collar. Then comes Your Name's voice from behind her, without a cube.]
Oh, beautiful green serpent.
Vine that gives life to all weeds.
Reveal yourself from your hiding place.
Grant us your audience.
That we may offer your shadow to take with you into the dark.
Oh, beautiful green serpent.
Vine that gives life to all weeds.
Reveal yourself from your hiding place.
Grant us your audience.
That we may offer your shadow to take with you into the dark.
[oooh buddy you are so fucking lucky that she was self-controlled enough to not reflexively wheel around and chomp your hand.]
[she is TRYING to be on her best behavior here. She doesn't even say anything about the poem. or, in fact, anything at all.]
[she is TRYING to be on her best behavior here. She doesn't even say anything about the poem. or, in fact, anything at all.]
[do not bite the snake's minions thanks!!!
said snake slithers out the shadows and....is a fairly tiny garter snake. BUT HE HOLDS HIMSELF HIGHLY....he coils on his tail, looking the Rose up and down]
This is the stray sheep that wanted to speak, yes?
said snake slithers out the shadows and....is a fairly tiny garter snake. BUT HE HOLDS HIMSELF HIGHLY....he coils on his tail, looking the Rose up and down]
This is the stray sheep that wanted to speak, yes?
Hmph. Well then, sheep--speak! Why have you bothered my minion?
Hi! Thank you so much for meeting with me!
[MONIKA DID NOT MENTION THE SNAKE WAS SO CUTE?!?!? ✨✨✨✨ oh my god she loves him already]
Did Your Name already explain the situation?
[MONIKA DID NOT MENTION THE SNAKE WAS SO CUTE?!?!? ✨✨✨✨ oh my god she loves him already]
Did Your Name already explain the situation?
[was not expecting the enthusiasm,, ha-rumphs!!]
But of course! You wanted something of an interview of sorts. But I found it odd you'd seek out my minions for such a request.
But of course! You wanted something of an interview of sorts. But I found it odd you'd seek out my minions for such a request.
Well, I wasn't quite sure how to find you. Your Name here seems to be your biggest fan, so I asked her for help.
[Azdaja doesn't want to do this whole interview towering over the snake, so (politely making no sudden moves), she sits down cross-legged on the ground and opens up her notebook, pencil at the ready.]
Right! So! As I'm sure you know (but I will briefly summarize just in case), my team is putting on a play about Blossom, her sordid love life, possible crimes, and relationship with other individuals around the pasture. The script is still a work in progress and a lot of the plot is still up in the air, especially because Blossom herself is so incredibly cagy it has been difficult to get any good material.
Now, I'm pretty new around here, and don't have any particular affection for Blossom. I've heard you probably know her—or at least about her—better than anyone. So if it's alright with you, I would love to get your perspectives regarding a mutual target of ire, which we can possibly incorporate into our play and broadcast to an audience.
Do you have any questions or concerns before we get started?
Right! So! As I'm sure you know (but I will briefly summarize just in case), my team is putting on a play about Blossom, her sordid love life, possible crimes, and relationship with other individuals around the pasture. The script is still a work in progress and a lot of the plot is still up in the air, especially because Blossom herself is so incredibly cagy it has been difficult to get any good material.
Now, I'm pretty new around here, and don't have any particular affection for Blossom. I've heard you probably know her—or at least about her—better than anyone. So if it's alright with you, I would love to get your perspectives regarding a mutual target of ire, which we can possibly incorporate into our play and broadcast to an audience.
Do you have any questions or concerns before we get started?
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